The play barely reveals anything about the identity of its characters. The setting is vague, there are no props. What they speak is meaningless and repetitive. However, the audience still knows that they are all men. Their names are Vladimir, Estragon, Lucky and Pozzo, which hints about the countrieRead more
The play barely reveals anything about the identity of its characters. The setting is vague, there are no props. What they speak is meaningless and repetitive.
However, the audience still knows that they are all men. Their names are Vladimir, Estragon, Lucky and Pozzo, which hints about the countries that these names are common to (Russia, Italy etc.) Pozzo and Lucky share a master and slave relationship which gets inverted later. Estragon and Vladimir are friends (equals).
The whole play starts and ends in a single setting without any changes in the scene. Waiting for Godot is a play where nothing happens. And, that itself is absurdity.
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The period you’re referring to, is the Late Victorian age (1890-1901), Modern Age (1901- 50s) comprising the war years (1914-1918) and again at 1939-45. Firstly, Individualism- some of the great English novelists focused on an individual coming into collision with the society, for example, Tess of tRead more
The period you’re referring to, is the Late Victorian age (1890-1901), Modern Age (1901- 50s) comprising the war years (1914-1918) and again at 1939-45.
Firstly, Individualism- some of the great English novelists focused on an individual coming into collision with the society, for example, Tess of the D’urbervilles (Hardy), Middlemarch (Eliot). Novels started to showcase the force of sexual desires among the characters which were earlier considered as Taboo in English literature.
Secondly, Experimentation was another literary feature of that age where writers abandoned the old techniques and forms and started writing in free verses such as in the cases of W.B. Yeats, Auden, T.S. Eliot, who discarded the traditional rhyming techniques and started writing with images mixed from past with modern consciousness. Novelists such as James Joyce and Virginia Woolf developed the form of narration called stream of consciousness.
Thirdly, Absurdity- The brutal picture of the two world wars deeply affected the writers of the period. The overall carnage turned the consciousness of the writers into absurdity each day.
Fourthly, Symbolism- Although not a modern concept yet the modernists’ use of symbols in their work was an innovation. Their works left the readers’ imagination to wander farther than the earlier writers.
Lastly, Formalism- Writers of this period saw literature as not something as a plain flowering of creativity but as a craft.
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