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  1. Lucifer
    Best Answer
    Lucifer better to reign in hell than to serve in heaven

    Macbeth sees the ghost of Banquo as he killed him. In the play, Macbeth sees the ghost of Banquo, who warns him of the consequences of killing the king. The ghost tells Macbeth that he has been cast out of Scottish society and that they will be hunted down and killed. This is meant to foreshadow theRead more

    Macbeth sees the ghost of Banquo as he killed him. In the play, Macbeth sees the ghost of Banquo, who warns him of the consequences of killing the king. The ghost tells Macbeth that he has been cast out of Scottish society and that they will be hunted down and killed. This is meant to foreshadow their fate, which is indeed fulfilled at the end of the play.

    Macbeth Play Act-wise Summary

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  1. Lucifer
    Best Answer
    Lucifer better to reign in hell than to serve in heaven

    The character of Rodrigo, despite his apparent lack of importance in the beginning, proves to be an important character in the end. He begins the play as an antagonist who manipulates the other characters, but he eventually wins them over. Rodrigo's death at the end of the play thus serves a thematiRead more

    The character of Rodrigo, despite his apparent lack of importance in the beginning, proves to be an important character in the end. He begins the play as an antagonist who manipulates the other characters, but he eventually wins them over. Rodrigo’s death at the end of the play thus serves a thematic purpose.

    Summary of the Play Othello

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  1. Lucifer
    Best Answer
    Lucifer better to reign in hell than to serve in heaven

    The play Twelfth Night by William Shakespeare is called so because, "Twelfth Night" is a reference to the Roman Catholic Church's observance of the twelfth night after Christmas Day also known as the Feast of the Epiphany. Twelfth night is a reference to the feast day of Epiphany. The word "EpiphanyRead more

    The play Twelfth Night by William Shakespeare is called so because, “Twelfth Night” is a reference to the Roman Catholic Church’s observance of the twelfth night after Christmas Day also known as the Feast of the Epiphany. Twelfth night is a reference to the feast day of Epiphany. The word “Epiphany” is derived from the Greek word for “reveal”. The Church celebrates this feast to celebrate the coming of Jesus to the world as the king of all nations.

    Act-wise Summary of the Play Twelfth Night

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  1. Prospero: Main character and the rightful Duke of Milan. Prospero is the main character in The Tempest. He is the Duke of Milan who was overthrown by his brother Antonio fifteen years before the beginning of the play and cast adrift in a boat with his baby daughter, Miranda. During those fifteen yeaRead more

    1. Prospero: Main character and the rightful Duke of Milan. Prospero is the main character in The Tempest. He is the Duke of Milan who was overthrown by his brother Antonio fifteen years before the beginning of the play and cast adrift in a boat with his baby daughter, Miranda. During those fifteen years, he studied and taught himself how to do magic.
    2. Miranda: Daughter of Prospero. Another main characters of The Tempest. She was banished to the Island along with her father at the age of three, and in the subsequent twelve years has lived with her father and their slave, Caliban, as her only company. 
    3. Sycorax: A vicious powerful witch and the mother of Caliban. An unseen character in The Tempest. One of the few native inhabitants of the island who died before the arrival of Prospero is the island.
    4. Ariel: A spirit in service to Prospero. Ariel is bound to serve Prospero as he rescued him from the tree in which he was imprisoned by Sycorax.
    5. Caliban: A servant of Prospero and a savage monster. Half-human, half-monster who is forced into slavery and son of the witch Sycorax.
    6. Antonio: Prospero’s brother, the usurping Duke of Milan. The main villain of the play. He dethroned his brother with the help of King of Naples.
    7. Gonzalo: An honest old councilor. An honest and trusted adviser who helps Prospero when abandoned by the king and his brother.
    8. King Of Naples: An enemy of Prospero. Neither a good guy nor a bad guy.
    9. Ferdinand: The prince of Naples and the son of Alonso. A humble, kind, and naive guy who spends most of his time during The Tempest trying to win the affection of Miranda.

    The Tempest Short Summary in English

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    In "Doctor Faustus" by Christopher Marlowe, the seven deadly sins are personified as characters that tempt the titular character, Doctor Faustus. Here are the seven deadly sins and a brief description of their role in the play: Pride: The sin of excessive self-love and vanity. In the play, Pride appRead more

    In “Doctor Faustus” by Christopher Marlowe, the seven deadly sins are personified as characters that tempt the titular character, Doctor Faustus. Here are the seven deadly sins and a brief description of their role in the play:

    1. Pride: The sin of excessive self-love and vanity. In the play, Pride appears as a “mighty devil” who tempts Faustus with promises of wealth and power.

    2. Covetousness: The sin of greed and desire for material possessions. In the play, Covetousness appears as a “foul devil” who tempts Faustus with the promise of wealth and treasure.

    3. Wrath: The sin of anger and vengeance. In the play, Wrath appears as a “furious devil” who encourages Faustus to seek revenge against his enemies.

    4. Envy: The sin of jealousy and resentment towards others. In the play, Envy appears as a “jealous devil” who urges Faustus to be envious of the success of others.

    5. Gluttony: The sin of overindulgence in food and drink. In the play, Gluttony appears as a “jolly devil” who tempts Faustus with feasts and banquets.

    6. Sloth: The sin of laziness and apathy. In the play, Sloth appears as a “drowsy devil” who encourages Faustus to waste his time and neglect his studies.

    7. Lust: The sin of excessive sexual desire. In the play, Lust appears as a “lecherous devil” who tempts Faustus with the promise of sensual pleasure.

    These sins serve as a recurring motif throughout the play, tempting Faustus to abandon his quest for knowledge and salvation and leading him towards damnation.

    Dr Faustus by Christopher Marlowe Summary

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