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  1. The theme of this poem is that an individual's qualities and character are what truly define their true beauty rather than their external look. The theme has global significance and is not restricted to any particular context. It encourages people to value the inner traits and virtues in both themseRead more

    The theme of this poem is that an individual’s qualities and character are what truly define their true beauty rather than their external look. The theme has global significance and is not restricted to any particular context. It encourages people to value the inner traits and virtues in both themselves and other people, and it may be applied to many different parts of life.

    No Crookèd Leg, No Blearèd Eye  Summary

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  1. The central theme of the verse "No crookèd leg, no blearèd eye" is the contrast between the potential horror of an internal, skeptical mind and the physical perfection. The stanza highlights how unimportant outward imperfections are in comparison to the harmful effects of unfavorable inner traits. NRead more

    The central theme of the verse “No crookèd leg, no blearèd eye” is the contrast between the potential horror of an internal, skeptical mind and the physical perfection. The stanza highlights how unimportant outward imperfections are in comparison to the harmful effects of unfavorable inner traits.

    No Crookèd Leg, No Blearèd Eye Summary

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  1. Imagery: "crookèd leg," "blearèd eye," "part deformed" - These phrases create vivid mental images of physical imperfections. The imagery is used to emphasize the absence of such imperfections. Metaphor: "Nor yet so ugly half can be/ As is the inward, suspicious mind." The comparison between the horrRead more

    1. Imagery: “crookèd leg,” “blearèd eye,” “part deformed” – These phrases create vivid mental images of physical imperfections. The imagery is used to emphasize the absence of such imperfections.
    2. Metaphor: “Nor yet so ugly half can be/ As is the inward, suspicious mind.” The comparison between the horror of physical imperfections and the inward, suspicious mind is metaphorical. It suggests that the mind can be metaphorically ugly in contrast to the physical half.
    3. Enjambment: “No crookèd leg, no blearèd eye, / No part deformed out of kind,” The use of enjambment (continuation of a sentence without a pause) between these lines maintains a smooth flow, linking the physical descriptions seamlessly.
    4. Repetition: The repetition of the negative “no” emphasizes the absence of physical deformities. The repetition of the phrase “No part deformed out of kind” reinforces the idea of bodily integrity.

    No Crookèd Leg, No Blearèd Eye Summary

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