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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    Oedipal complex is indicated between Hamlet and his mother Gertrude. Hamlet is frustrated by his mother’s marriage to his uncle Claudius who he suspects murdered his father. Hamlet’s constant fixation with his mother’s sexual desires and conduct reveals a possible fascination for her physically. HerRead more

    Oedipal complex is indicated between Hamlet and his mother Gertrude. Hamlet is frustrated by his mother’s marriage to his uncle Claudius who he suspects murdered his father.

    Hamlet’s constant fixation with his mother’s sexual desires and conduct reveals a possible fascination for her physically. Her words and opprobrium may suggest an unfulfilled lust for her.

    Hamlet’s comments do read more live unrequited lamentation than moral sanctions. He seems to be more upset about his mother sleeping with Claudius than Claudius murdering his father.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    The two grave diggers exquisitely provide comic buildup to the climax of the play. Before the entrance of Hamlet and his fight with Laertes, the two gravediggers discuss the theme of death with a tone of jest and comicality. They joke about the inevitability of death and that the gravediggers are thRead more

    The two grave diggers exquisitely provide comic buildup to the climax of the play. Before the entrance of Hamlet and his fight with Laertes, the two gravediggers discuss the theme of death with a tone of jest and comicality.

    They joke about the inevitability of death and that the gravediggers are the last to die. They remember Yorick, a clown known for his jokes whose skull lay bare in the ground.

    The theme leads to an intense moment when Hamlet confronts the same skull and wonders how even the mightiest of emperors like Alexander find their own mortality inescapable.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    Hamlet juxtaposes an interesting narrative of power where male characters are seen vying for power or abusing it while female characters are seen subjected and dis-empowered. Claudius is determine to hold on to political power while Polonius desires power over his daughter Ophelia and son Laertees.Read more

    Hamlet juxtaposes an interesting narrative of power where male characters are seen vying for power or abusing it while female characters are seen subjected and dis-empowered.

    Claudius is determine to hold on to political power while Polonius desires power over his daughter Ophelia and son Laertees. Hamlet understands his lack of power against Claudius but abuses his position of power against both his mother Gertrude and lover Ophelia.

    In the climax, both Hamlet and Laertes are seen contesting for power over the legacy of dead Ophelia claiming to love her deeply. Even the Norwegian king Fortinbras shows a lust for power and finally succeeds in conquering Denmark.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    The rhyme scheme of the poem is not consistent and it alternates. First three stanzas’ scheme is ABCB. Then it changes to ABCC in third stanza and the 4th, 5th, 6th and 7th stanzas are again in ABCB scheme. The 8th stanza’s scheme is AACC and the last stanza ends like a sermon where the line “I riseRead more

    The rhyme scheme of the poem is not consistent and it alternates. First three stanzas’ scheme is ABCB. Then it changes to ABCC in third stanza and the 4th, 5th, 6th and 7th stanzas are again in ABCB scheme. The 8th stanza’s scheme is AACC and the last stanza ends like a sermon where the line “I rise” is repeated three times.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    Comic relief in Hamlet provides not just break form intense drama but adds more detail to the next dramatic occurrence. These episodes of lighthearted fun bring a level if foreshadowing for the impending disaster. The conversation between the two gravediggers and then with Hamlet is the most exquisiRead more

    Comic relief in Hamlet provides not just break form intense drama but adds more detail to the next dramatic occurrence. These episodes of lighthearted fun bring a level if foreshadowing for the impending disaster.

    The conversation between the two gravediggers and then with Hamlet is the most exquisite example of Shakespearean comic relief.

    The initial barbs by Polonius aimed at Hamlet and the constant ridicule of Polonius by Hamlet provides moments of sheer audacity and jocularity to the intense tone of the play.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    Religion as apart of Elizabethan society is seen in the text of Hamlet as well. The young prince is visited by the spirit of his dead father and the ghost can be interpreted differently according to different religious beliefs. From a protestant view just like Hamlet, it could be devil trying to incRead more

    Religion as apart of Elizabethan society is seen in the text of Hamlet as well. The young prince is visited by the spirit of his dead father and the ghost can be interpreted differently according to different religious beliefs.

    From a protestant view just like Hamlet, it could be devil trying to incite Hamlet into committing the sin of murder. Similarly, the scene where Claudius is praying, Hamlet refrains from killing him.

    He fears that if Claudius is killed while praying his soul may find solace in heaven. Another striking example his the ‘To be or not to be’ soliloquy in which Hamlet argues the religious aspect of suicide and in the end resists taking his life. There is also references of incest and sexual misconduct which is rooted in biblical discourse.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    Revenge is the main theme and plot of Hamlet. Inspired by the ghost of his dead father and former king, Hamlet is determined to kill Claudius and regain the crown. However, he is confused with his own justification of the sin of murder and delays the act even when there are opportunities to claim reRead more

    Revenge is the main theme and plot of Hamlet. Inspired by the ghost of his dead father and former king, Hamlet is determined to kill Claudius and regain the crown.

    However, he is confused with his own justification of the sin of murder and delays the act even when there are opportunities to claim revenge. He pretends to be mad and often loses his ability to differentiate between sanity and madness, life and mortality. This internal struggle frustrates his desire for revenge.

    Laertes, Polonius son also tries to seek revenge from Hamlet for the murder of his gather and the suicide of his sister Ophelia.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    The central struggle of the play is to decipher whether Hamlet is actually gone mad or just play acting to beguile Claudius into confessing his sin. After the encounter with his father Ghost’s, Hamlet suggests to Horatio about his intention of playing a fool. However, through out the play he is notRead more

    The central struggle of the play is to decipher whether Hamlet is actually gone mad or just play acting to beguile Claudius into confessing his sin. After the encounter with his father Ghost’s, Hamlet suggests to Horatio about his intention of playing a fool.

    However, through out the play he is not sure about his own sanity. His mistreatment of Ophelia and Gertrude, both loved him, also signify his loss of control with rationality.

    Once he kills Polonius, he goes on a spree killing Laertes and Claudius. His madness also leads to Gertrude’s and Ophelia’s deaths. The fact that just before breathing his last, Hamlet directs Horatio to share his tale with others may suggest that he had not lost complete sanity but its still ambiguous.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    The theme of death comes full circle in Hamlet. Starting with the murder of King Hamlet, the play ends with the death of the entire royal family of Denmark. Even though Prince Hamlet delays the killing of nefarious Claudius, he kills Polonius without any regret. He also goes on the kill Laertes andRead more

    The theme of death comes full circle in Hamlet. Starting with the murder of King Hamlet, the play ends with the death of the entire royal family of Denmark. Even though Prince Hamlet delays the killing of nefarious Claudius, he kills Polonius without any regret.

    He also goes on the kill Laertes and Claudius. Gertrude, Hamlet’s mother dies after drinking from the poisoned goblet whereas Ophelia, Hamlet’s lover commits suicide after her father’s death.

    Gildenstern and Rosencrantz are murdered on reaching the English shores after the escape of Hamlet from under their noses. Throughout the play the theme of mortality and the inevitability of death is discussed through soliloquies and dialogue’s.

    The best example is the ‘sleep of death’ description by Hamlet in the Nunnery scene and the grave diggers’ conversation about Ophelia’s corpse.

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  1. Lucifer
    Lucifer better to reign in hell than to serve in heaven

    Hamlet deeply investigates the theme of mortality. After being visited by ht ghost of his dead father and learning about his mother’s second marriage Hamlet is disillusioned by memory and mortality. For his if mortal beings can be easily forgotten then how does it matter if a kill b or if someone kiRead more

    Hamlet deeply investigates the theme of mortality. After being visited by ht ghost of his dead father and learning about his mother’s second marriage Hamlet is disillusioned by memory and mortality.

    For his if mortal beings can be easily forgotten then how does it matter if a kill b or if someone kills himself. Even after resolving to seek revenge he still contemplates committing suicide and is going through an existential crisis.

    The scene at the graveyard with two gravediggers is an excellent example of how Shakespeare develops an intelligent discourse around death and mortality and insignificance of the living in front if mortal culmination.

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