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  1. In this poem, Poe thinks of the sounds of four different bells, as well as the moments and locations where you could hear them. While there isn't really a plot in this poem, there is something comparable to one as we progress from joyous, sparkling elation to melancholy, despair, and misery. SilverRead more

    In this poem, Poe thinks of the sounds of four different bells, as well as the moments and locations where you could hear them. While there isn’t really a plot in this poem, there is something comparable to one as we progress from joyous, sparkling elation to melancholy, despair, and misery. Silver sleigh bells are heard first, followed by the golden wedding bells. Then, as brass alarm bells start to ring, things start to change. We finally hear the heaviness and pain of iron bells.

     

    The Bells Summary

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  1. A set of bells is described as being four different stages of life by the speaker. The initial two are enjoyable. All those who hear their ringing are treated to a beautiful sound and melody. The bells, however, begin to hint of something harsher and much less pleasant as the poem goes on. The readeRead more

    A set of bells is described as being four different stages of life by the speaker. The initial two are enjoyable. All those who hear their ringing are treated to a beautiful sound and melody. The bells, however, begin to hint of something harsher and much less pleasant as the poem goes on. The reader  is alerted when the ringing pattern changes that something unpleasant has occurred or is about to. One interpretation of this work is a path from joy, or birth, to dread, or death.

     

    The Bells Summary

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  1. The poem consists of 19 stanzas with six lines each. The rhyme scheme if flawlessly consistent, it is ‘abcbbb’.   the raven summary

    The poem consists of 19 stanzas with six lines each. The rhyme scheme if flawlessly consistent, it is ‘abcbbb’.

     

    the raven summary

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  1. 1.     Alliteration: When the poet repeats the same consonant sound at the beginning of multiple words. Eg, “weak and weary” “soul” and “stronger”, “rare and radiant”, “silken and sad”, “entreating entrance”   2.     Repetition: Repetition is the simple repeating of a word, within a short space of wRead more

    1.     Alliteration: When the poet repeats the same consonant sound at the beginning of multiple words. Eg, “weak and weary” “soul” and “stronger”, “rare and radiant”, “silken and sad”, “entreating entrance”

     

    2.     Repetition: Repetition is the simple repeating of a word, within a short space of words. Eg. Rapping, at my chamber door,Only this and nothing more, nevermore.

     

     

    the raven summary

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  1. On a chilly December evening, the narrator is home alone and trying to read. He hears a knock at his door as he is about to nod off but chooses to ignore it. Lenore, his lover, had passed away, and he had been reading to try to get through the loss. The narrator believes that God will send angels toRead more

    On a chilly December evening, the narrator is home alone and trying to read. He hears a knock at his door as he is about to nod off but chooses to ignore it. Lenore, his lover, had passed away, and he had been reading to try to get through the loss. The narrator believes that God will send angels to arrange for him and Lenore to re-connect. However, the raven replies, “Nevermore,” and the narrator loses faith in ever seeing Lenore in paradise.

    the raven Summary

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  1. Lucifer better to reign in hell than to serve in heaven

    Poe's writing style is gothic and his genre is horror and suspense. Poe's writing style is characterized by the use of gothic and horror elements, and his writing is sometimes considered to be a forerunner of science fiction. He was the inventor of the detective-fiction genre and is further creditedRead more

    Poe’s writing style is gothic and his genre is horror and suspense. Poe’s writing style is characterized by the use of gothic and horror elements, and his writing is sometimes considered to be a forerunner of science fiction.

    He was the inventor of the detective-fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

    But despite this, he remains one of the most-read and most-admired authors of all time. His works are studied in schools and universities worldwide, and he is the most widely taught author in literature. He has had more than 10,000 different scholarly articles written about him, including two whole books. One such book was written by his granddaughter, Virginia Clemm, and it contains nearly 200 pages of explanation and analysis about his works. It is called Edgar Allan Poe: Master of Mystery. Here is a small sample of what she has to say about his style: “His work is replete with macabre images which give off an eerie quality and instill a sense of foreboding in his readers.”

    “Poe’s prose is terse, to the point, and very much ‘on target’… His writing style is clear, crisp, and often remarkably concise.” “He employs a highly effective use of alliteration (repetition of initial sounds within words) and assonance (repetition of similar sounds between words) that lends a haunting musicality to his writings… This technique creates a rhythm that is both soothing and mesmerizing.” Poe was among the first authors to use imagery in an almost abstract way as a way to shock and excite his readers.

    In fact, when it comes to writing, Virginia Clemm says Poe “was the undisputed master,” and she goes on to say his techniques are still very much in use today. She says: “His techniques for achieving maximum effect with minimum means have stood the test of time.” Here are six characteristics of Poe’s writing style:

    1. Poe’s horror stories have been greatly influenced by Sir Arthur Conan Doyle’s Sherlock Holmes tales. And while Poe’s Holmes is not as brilliant as Doyle’s, he is certainly more than just another bumbling detective. As Poe scholar Martin Peake notes, “Poe took to heart many of the insights that Conan Doyle had into human nature, and he applied them to his own fiction with great skill.”
    2. Poe was one of the first authors to use the technique of the “double-entendre” humorously and cleverly in his writings. This technique can be used in a non-humorous way when you are trying to instill a sense of foreboding and dread in your readers. Or, when you use it in a humorous way, it adds a welcome relief to the tension and uneasiness that comes from all the other stylistic elements you are using.
    3. Poe was among the first writers to employ the literary technique of “show, don’t tell.” He used this technique to maximum effect in all of his stories.
    4. Although this may be true of all good writers, Poe did it with such bravura, his readers hardly ever even noticed the technique because they were so caught up in the excitement of the story.
    5. Poe was one of the very first authors to employ what is now called “metaphor”. In fact, he uses this powerful literary tool with amazing frequency. Metaphor can serve many purposes and often does double duty. It can be used as a figure-of-speech to illuminate an aspect of the story, or it can be used as a stylistic device to make your writing more vivid and more powerful. As Virginia Clemm says, “He uses figurative language with great skill and precision… Metaphors can serve many purposes and often does double duty… It can be used as a figure-of-speech to illuminate an aspect of the story, or it can be used as a stylistic device to make your writing more vivid and more powerful.”
    6. Poe was one of the first authors to use the literary technique of alliteration and assonance. These are sounds that are repeated in close proximity within words and between adjacent words, respectively.
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  1. Lucifer better to reign in hell than to serve in heaven

    The setting of "The Cask of Amontillado" contributes to the mood because it is set in a wine cellar, which is a dark and damp place. The atmosphere of the wine cellar has an effect on the character of Fortunato.

    The setting of “The Cask of Amontillado” contributes to the mood because it is set in a wine cellar, which is a dark and damp place. The atmosphere of the wine cellar has an effect on the character of Fortunato.

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  1. Lucifer better to reign in hell than to serve in heaven

    Setting is a major aspect in a story. It is the time and the place where the action of a story takes place. The setting of `The Cask of Amontillado` by Edgar Allan Poe is the catacombs of Montresor's ancestral home in Italy. The setting shows that both characters are in a dark place like a catacomb.Read more

    Setting is a major aspect in a story. It is the time and the place where the action of a story takes place. The setting of `The Cask of Amontillado` by Edgar Allan Poe is the catacombs of Montresor’s ancestral home in Italy.

    The setting shows that both characters are in a dark place like a catacomb. A catacomb is a type of underground cemetery. It sets the mood of the story because of the dark setting. The setting also helps to explain the feeling of the characters. Montresor is mad at Fortunato for insulting him. Fortunato is in the dark like the catacombs. The feelings of the characters are the same because of the setting

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  1. Lucifer better to reign in hell than to serve in heaven

    Edgar Allan Poe utilizes the technique of dramatic irony in "The Cask of Amontillado" to build tension in the story. Dramatic irony occurs when the audience knows more information about a situation than a character. The three examples of dramatic irony are Montressor knowing of Fortunado's hatred ofRead more

    Edgar Allan Poe utilizes the technique of dramatic irony in “The Cask of Amontillado” to build tension in the story. Dramatic irony occurs when the audience knows more information about a situation than a character. The three examples of dramatic irony are Montressor knowing of Fortunado’s hatred of the catacombs, his refusal to drink, and his dislike of being alone.

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